The place to find examples of photography – landscape, nature, birds.
First stanza of the next poem in the collection – Songs of Field and Garden.
When the jewelled frosting first appeared,
As autumn’s evenings fade to night,
Through dark above the quiet calls were heard –
and scarlet glimpsed in early morning flight.
The illustration is a detail from the watercolour by Adele Croxall-Ellis which will accompany the full poem in the forthcoming book.
Green blades stand in serried ranks,
Waiting for the sun,
A million meals in this field alone –
Yet bird and bee find none.
One solitary flash of red,An accidental growth,
One lonely flower not erased,
Was there not room for both?
Along the edge there’s only death,The margin lost for profit,
No shelter for the leveret,
No fat hen for the linnet.
Man can exist and share this earth,Without such barren choice,
A field of green and red combined,
Lets nature keep her voice.
With practiced ease you scamper down,
along, around or up indeed.
A blue cloaked acrobat of trees,
a master of the living bark.
The Nuthatch is often first noticed because of its unique habit of climbing down the trunk of a tree. They will then notice its beautiful colouring, its blue grey back and its stunning buff coloured chest and belly and the striking black eye stripe.
Not a particularly melodic singer it announces its presence with a sharp “tee whit” which can carry a long way in the woodland setting.
Tradition has the bird as industrious, thrifty – using what is there, it is known to store food.
This photo was taken by Steve Allanson in a forest in Galloway.
Posted by Steve Allanson 12/04/2026
When the blossom is misted with spring’s gentle rain,
He announces his kingdom with lilting refrain
Tumbling prelude, vibrant finish,
May we never let his song diminish.
One of our most familiar and delightful garden birds. Can there be a garden which isn’t visited by these delightful heralds.
They will commonly sit right at the top of the tallest tree and fill the garden with their ringing song. Of course they are also frequent visitors to the ground beneath our bird tables where they will eat seed and grain, their beaks are clearly adapted for their chosen food.
In folklore they are considered reliable, friendly and trustworthy, their song is often felt to be an encouragement to “get on” with the day’s work.
The latin name for the species – Fringilla coelebs – translates as “Batchelor Finch”, probably earned due to their habit of gathering in single sex flocks in winter.
Published 11th April 2026 by Steve Allanson
Saturday was the first sunny day for many days so it was good to get out for a walk. Almost warm enough in the pre spring sunshine to think about shedding the warm winter coat – but not quite.
The snowdrops have been out for some time now, the first flowers of the year and the very first of the daffodils showed itself.
Looking a little forlord after all the recent rain but still the wonderful sun-yellow brings a hint of even warmer and definitely drier days to come.
I’ve heard plovers on a few occasions now and today I heard the first skylark ascending above a field whilst singing its heart out. I just caught sight of it as it disappeared into the blue sky above.
I also saw one of these – A Meadow Pipit.
Another of our wonderful song birds. This one, along with the Skylark is resident throughout the winter but is less visible in the cold months.
Here we are in the middle of a gloomy February in the UK. The rain seems to have been relentless throughout January and has not improved yet this month. There are over 100 flood warnings live and it’s due to turn even colder this coming weekend – but still with only one day of sun forecast.
And yet…
Just four or five short weeks away and these wonderful birds will begin to return to their breeding colonies around the UK. The nearest to me are at Flamborough and Bempton, I’ve certainly seen the birds there from mid March.
Of course the best time to see them is from May to July – and that’s certainly when you might expect some warm days and maybe even be tempted to take a dip in the sea for yourself.
The beach at Flamborough North Landing is pleasant and sheltered. There’s a good car park, cafes, shop and the best ice cream cone 99s in Yorkshire. The walk from here round to the lighthouses offers some of the best opportunities to see puffins, as well as kittiwakes, razorbills, guillemots and more. I have also seen dolphins off the coast and the sight of gannets flying past on their way to or from their feeding grounds and their nest sites at Bempton is wonderful.
Sea Hunter – Songs of Field and Garden
In March the orchids might just be coming out along the clifftops along with the daffodils or course.
The puffins themselves inspired me to write my first book –
So, despite the gloom of another wet day, the cold, the mud and the seemingly endless winter, there is light at the end of the tunnel. Days of ice cream and sun, the glorious views and the search for puffins on the limestone cliffs all accomanied by the sound of the kittiwakes and the gulls.
A detail from my latest poem “The Garden Tympanist” destined for the forthcoming book “Songs of Field and Garden”. A collaborative blending of poetry and illustration.
~~~~~~~~~~~~
This year the shells were gone; you were not here,
spring’s budding hedge now quiet where you sang,
no holes in ornamental leaves, no food for young.
I heard you sing,
I miss your song,
I’ll listen still,
for your return.
~~~~~~~~~~~~
If you think you could illustrate this poem with a pencil, watercolour or other rendering of the bird in question and would be interested in hearing more about the collaboration then please comment below or send a Contact Message.
Who can guess the bird I wonder?
Some years ago I was lucky enough to capture some photographs of Albie the Albatross as he was named by RSPB Bempton Cliffs.
This wonderful, stately seabird had been seen at Bempton on and off since 2017 when he first appeared, having been present in the Baltic from 2014. He was absent for a few years after 2017 but also visited in from 2020 to 2022.
I first saw him in June of that year but, after a long day photographing puffins at North Landing, my camera battery gave out just as he put in an appearance. Not to be outdone I invested in a couple of spares and revisited a few weeks later.
The crowds were significant but I was lucky enough to catch sight of him not only where most were gathered near the main Gannet colony, but just a little further north along the clifftop where he put on a spactacular show just for me.
The normal range for the Black Browed Albatross is in the southern ocean, around remote islands including the Falklands, the Chilean islands and South Georgia in the breeding season (September – April) and at sea the rest of the year.
They are a medium sized albatross with a 2-2.4m wingspan and and length of around 90cm.
As with all Albatrosses they are adapted to gliding on the wind, which they rely on for lift. They do not often cross the equator where winds are usually calm or non existant, it is thought Albie will have been blown off course and into the northern hemisphere during a storm. Once here it would be difficult for the bird to return south for the same reason they do not normally venture north. Albatrossed posses a specialised bone structure between the wings on their backs, this allows them to “hang” the bones of the wings on a small hook meaning that they do not need to consume energy to keep them extended.
Sadly Albie disappeared, from both the UK and his normal winter range in the Baltic, after 2023 and it is presumed he died. We were privileged to see such a magnificent bird around the shores of north yorkshire.
I saw, and was able to photograph, several other species of Albatross on a visit to New Zealand – more of that later.
A few years ago I was taking a walk along an old abandoned railway track near where I live. Interestingly Queen Elizabeth once spent the night on this part of the railway on the royal train.
It was fairly early one fine spring morning and I was walking my dog. I looked over the hedge that separates the track from the small field beyond and caught sight of a fox lying in a bed of buttercups, presumably enjoying the early morning sunshine.
Praying that the dog stayed quiet I unhooked my camera from its holster and focused in on the animal. I was using a 500mm lens with autofocus and had forgotten, that morning, to turn off the focus achieved beep so, of course, as the fox was pinpointed the beep sounded,
In the quiet of the morning it sounded extremely loud. I don’t think it actually is, although it was clearly loud enough for the fox, at about 10m away, to hear. Just as I was ready it looked up and straight at me so that I could let the camera do its stuff on multiple release as the beautiful animal became fully alert, jumped up and trotted off to a greate distance, from where it looked back at me with utter disdain.
Sometimes luck plays a part in capturing good photographs.
The Circle Turns
A line of white weaves across the sky,
a sinuous wave
reflects the swell below.
Drawn closer they resolve
a chequerboard
of ivory and sable,
Rendered clear by gathering age.
Raucous din repeats,
Noise washing over all.
Males flex wings and raise
sun washed heads
to dance
as if no-one sees.
Or gather grass,
uncaring close beneath our feet.
Azure ringed orbs
Of midnight centred white.
Black on black, survival’s legacy.
From circling sky a hunter falls,
Plunging without fear.
Wings back, legs tucked,
A living fishing spear.
To pierce the waves, to reach the depths,
A thrust, a miss, so near.
the surface regained,
Ungainly now, a fleeting loss of grace.
An effort
to reclaim the air,
To pull, to climb,
to soar once more.
The hunter returns, the circle turns.
Copyright Steve Allanson February 2026
I often travel to Flamborough or Bempton in the breeding season to watch these magnificent birds. They are overshadowed in popularity by the delightful puffins but they deserve their own place in our consciousness.
In recent years, avian influenza has devastated gannet colonies across Britain. Survivors can be identified by the loss of the distinctive pale iris—their eyes turn entirely black. ‘Black on black, survival’s legacy.’
Majestic, striking, the gannet is a large bird and unafraid of humans. In fact, if you see them gathering nesting material along the clifftops at Bempton – mere feet from the crowds watching and filming them, you might come to the conclusion that they dismiss our presence as irrelevent.
In folklore they are often seen as messengers of the sea, signals – of course – of the presence of fish. They are seen as symbols of endurance and resilience, as well as of commitment. Their hunting dive is one of total resolve; spearing the sea at speeds of nearly 100 kilometres per hour. Their reinforced skulls absorb most of the impact but, nevertheless, as they age their eyesight can suffer from the repeated shocks.
There is a tale, which can be found in Adam Nicholson’s wonderful book “The Seabird’s Cry” which should, apocryphal or not, serve as a caution. It tells of a beach somewhere in the south of England where, when the tide is out, the exposed wet sand can appear from above as a continuation of the nearby open water. The gannets, apparently can make this mistake and dive to crash into the sand and injure or kill themselves.
The story tells of a man who, coming across an injured bird, picks it up in the hope of taking it somewhere for assistance. He sensibly took the head in his hand as he carried the bird, but was distracted by a dog yapping at his heels and let go – at the cost of an eye!
That beak is razor sharp.
Let’s hope the bird recovers from the impact of Bird Flu, and survives the other challeges we throw at it (Plastic in the sea, getting tangled in fishing gear, climate change) so that we may continue to admire it.
